|
Antonio Stradivari, by Edgar Bundy, 1893: a romanticized image of a craftsman-hero
One of the violins in the Stradivarius collection of the Palacio Real, Madrid, Spain
A Stradivarius is a stringed instrument built by members of the Stradivari family, particularly Antonio Stradivari.
Contents |
Antonio Stradivari was born in Italy in 1644, and said to be a disciple of Nicolo Amati, of the Amati family of luthiers of Cremona. Antonio set up business for himself in 1680, though his early violins are generally considered inferior to those made between 1698 and 1720, referred to as his "golden age". While many of his techniques are still not fully understood by modern science, it is known for certain that the wood used included spruce for the harmonic top, willow for the internal parts and maple for the back, strip and neck, and that the wood was treated with several types of minerals, including potassium borate (borax), sodium and potassium silicate, and vernice bianca, a varnish composed of Arabic gum, honey and egg white.
A Stradivarius made in the 1680s or during Stradivari\'s Brescian period from 1690-1700, could be worth several hundred thousand dollars or more at today\'s prices in auction. If made during Stradivari\'s "golden period" from 1700 to 1720, depending on condition, the instrument can be worth several million dollars. They rarely come up for sale and the highest price paid for a Stradivarius at public auction was The Hammer, made in 1707, which sold for US$3,544,000 on May 16 2006. Private sales of Stradivari instruments have exceeded this price."Stradivarius tops auction record", BBC News, 17 May 2006. Retrieved on 2006-06-07. Associated Press. "Successful $3,544,000 bid of "Hammer"", MSNBC, 16 May 2006. Retrieved on 2006-10-18.
Many people will find violins labeled or branded as "Stradivarius", and believe them to be genuine. It is believed that there are fewer than 700 genuine extant instruments, very few of which are unaccounted for.
The fame of Stradivari\'s violins is not a modern phenomenon: the fictional detective Sherlock Holmes is supposed to have owned a Stradivarius with a description of how he purchased the instrument for fifty-five English shillings in the story, The Adventure of the Cardboard Box. Another famous story is about Duport Stradivarius which is said to have the spur marks from the boots of Emperor Napoléon I of France when he tried his hand at playing it. They also played a role in the James Bond film The Living Daylights and have appeared in numerous other works of fiction, often as prized or stolen items.
One aspect of Stradivari\'s approach is illustrated in the BBC TV series Lovejoy, in the episode "Second Fiddle". It is noted that one would expect the \'f\'-holes in the front of a violin to be symmetrical yet, in Stradivaria, they are often slightly offset. This is put down to him being less of a perfectionist than tradition would credit but, if true, may express a preference for an aural aesthetic over a visual.
The reputation of the Stradivarius is such that its name is frequently invoked as a standard of excellence in other unrelated fields (such as ships and cars); for example, the Bath Iron Works\' unofficial motto is "A Bath boat is the Stradivarius of destroyers!" In 1924, The Vincent Bach Corporation began releasing a line of trumpets which would later become known as Stradivarius Trumpets, in an attempt to capitalise on the Stradivari name.
A Stradivarius in a Berlin museum
These instruments are famous for the quality of their sound. There have been many failed attempts to explain and reproduce the sound quality. One idea was that Stradivari used wood from an old cathedral to build his instruments, but tree-ring dating has shown this to be false.
Another theory is the idea that wood grown during the Little Ice Age (Maunder Minimum ~1645-1750) was used to construct Stradivari\'s instruments. This theory bases itself upon the high density of this wood; some consider it \'ideal\' for making stringed instruments. Trees that grew during this freezing period contained tree rings which were closer together and denser than would be produced in more temperate conditions.Associated Press. "Cool weather may be Stradivarius\' secret", CNN, 8 December 2003. Retrieved on 2007-06-24.
Further evidence for the "ice age theory," comes from a simple examination of the dense growth rings in the wood used in Stradivari\'s instruments.John Pickrell. "Did "Little Ice Age" Create Stradivarius Violins\' Famous Tone?", National Geographic News, 7 Jan 2004. Retrieved on 2007-06-24.
Yet another possible explanation is that the wood originated and was harvested from the forests of northern Croatia.W. H. Hill, Arthur F. Hill. "Antonio Stradivari: His Life and Work", Dover Publications, 1963. Retrieved on 2008-01-01. This maple wood is known for its extreme density due the slow growth from harsh Croatian winters. Croatian wood was a commodity traded by Venetian merchants of this era and is still used for crafting musical instruments by local luthiers to this day.
Some believe that a special wood glue was used in Stradivari\'s instruments, partly accounting for the high quality of the sound.
While the sound of Stradivari\'s instruments still has not been fully explained by modern research tools, devices such as the scanning laser vibrometer are aiding researchers in testing the theory that the careful shaping of belly and back plate, in order to "tune" their resonant frequencies, may be an important factor.Andrew W. Brown (2004). Documentation of Double Bass Plate Modes Using the Scanning Laser Vibrometer. University of Music and Performing Arts Vienna. Retrieved on 2007-06-24.
Texas A&M University biochemist Joseph Nagyvary succeeded in making a violin somewhere near the quality of a Stradivari by leaving the wood to soak in brine.Robert Uhlig. "Stradivari \'Owes it All to Worms\'", The Telegraph, 31 March 2001. Retrieved on 2007-08-20. Because of the lack of land in Venice, during that period imported wood was often stored in the seawater of the Venetian Lagoon, where a type of decomposition had a slight effect on the wood. Nagyvary managed to acquire wood shavings from a Stradivarius violin, and under a microscope he found the natural filter plates in the pores between the tracheids were gone. He also treated the wood with a preparation of borax in the manner of Stradivari, who used it to prevent infestation.
By late 2003, Nagyvary refined his techniques and produced a violin that was tested in a duel with the Leonardo da Vinci Stradivarius of 1725.Kathleen Phillips. "Violin Duel a Draw for Antique Stradivarius, New Instrument", AGNews, Texas A&M University, 22 Sept 2003. Retrieved on 2008-02-24. Archived from the original on 2003-10-03. Both violins were played in each of four selections of music by violinist Dalibor Karvay behind a screen to an audience of 600 attended by 160 trained musicians and 303 regular concert goers. This was the first public comparison of a Stradivari with a contemporary instrument before a large audience where the audience would cast ballots on the performance quality of each violin. The consensus was that Nagyvary\'s instrument surpassed the Stradivarius in each category by a small margin.
| This article needs additional citations for verification. Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (January 2008) |
| Sobriquet | Year | Provenance | Notes |
|---|---|---|---|
| ex-Back | 1666 | Royal Academy of Music | Currently displayed as part of Royal Academy\'s York Gate Collection |
| Dubois | 1667 | Canimex Foundation | on loan to Alexandre Dacosta Stradivarius. AlexandreDacosta.com (2006). Retrieved on 2007-08-20. |
| Aranyi | 1667 | Francis Aranyi (collector); | sold at Sotheby\'s London, 12 November 1986 Violin by Antonio Stradivari, 1666-70 (Aranyi). Cozio.com. Retrieved on 2007-08-20. |
| ex-Captain Saville | 1667 | Jean-Baptiste Vuillaume; Captain Saville (1901-1907) | |
| Amatese | 1668 | Though listed in many reference books as one of Stradivari\'s earliest instruments, the modern consensus is that it is not a Stradivari; it was sold Sotheby\'s New York 3 February 1982 as "an interesting violin." Violin by Antonio Stradivari, 1664 (Amatese). Cozio.com. Retrieved on 2007-08-20. | |
| Oistrakh | 1671 | David Oistrakh | missing: stolen in 1996 Stolen Musical Instruments. Saz Productions, Inc. (May 2006). Retrieved on 2007-08-20. |
| Sellière | 1672 | Charles IV of Spain; | |
| Spanish | 1677 | Finnish Cultural Foundation | on loan to Elina Vähälä Elina Vähälä. Jonathan Wentworth Associates (9 June 2007). Retrieved on 2008-02-05. |
| Hellier | 1679 | Sir Samuel Hellier | Smithsonian Institution |
| Paganini-Desaint | 1680 | Nippon Music Foundation Instruments Owned by NMF. Nippon Music Foundation (Dec 2006). Retrieved on 2007-04-07. | this violin along with the Paganini-Comte Cozio di Salabue violin of 1727, the Paganini-Mendelssohn viola 1731, and Paganini-Ladenburg cello of 1731, comprise a group of instruments referred to as The Paganini Quartet; on loan to Kikuei Ikeda of the Tokyo String Quartet |
| Fleming | 1681 | Stradivari Society | on loan to Cecily Ward Recipients and Instrument Collection. The Stradivari Society. Retrieved on 2007-08-20. |
| Chanot-Chardon | 1681 | Timothy Baker; Joshua Bell | Shaped like a guitar |
| Bucher | 1683 | ||
| Cipriani Potter | 1683 | ||
| Cobbett; ex-Holloway | 1683 | ||
| ex-Croall | 1684 | WestLB | on loan to Alexander Gilman |
| ex-Elphinstone | 1684 | Guarneri House | Currently for sale |
| ex-Arma Senkrah | 1685 | ||
| ex-Castelbarco | 1685 | ||
| Goddard | 1686 | Miss GoddardViolin by Antonio Stradivari, 1686 (Goddard). Cozio.com. Retrieved on 2007-11-24. | currently owned by Antonio Fortunato (Montrose, Scotland) |
| Ole Bull | 1687 | Ole Bull (1844); Dr. Herbert Axelrod (1985-1997) | Donated to the Smithsonian Institution in 1997 by Axelrod |
| Mercur-Avery | 1687 | on loan to Jonathan Carney, concertmaster of the Baltimore Symphony Orchestra since 2002 | |
| Auer | 1689 | Stradivari Society | on loan to Vadim Gluzman |
| Arditi | 1689 | Dextra musica AS, Norway | on loan to Elise Båtnes, concertmaster, Oslo Philharmonic |
| Baumgartner | 1689 | Canada Council for the Arts | Director of Endowments and Prizes. Musical Instrument Bank. The Canada Council for the Arts. Retrieved on 2007-06-24. |
| Bingham | 1690 | ||
| Bennett | 1692 | Winterthur-Versicherungen | on loan to Hanna Weinmeister |
| Falmouth | 1692 | on loan to Leonidas Kavakos | |
| Gould | 1693 | George Gould Metropolitan Museum of Art | bequeathed by Gould to the Metropolitan Museum in 1955Daily Artwork Arcdhive. The Metropolitan Museum of Art (Jan 2004). Retrieved on 2007-06-24. |
| Baillot-Pommerau | 1694 | ||
| Ruston | 1694 | Royal Academy of Music | on loan to Clio Gould Clio Gould AGSM, Hon RAM. Royal Academy of Music. Retrieved on 2007-06-24. |
| Fetzer | 1695 | Stradivari Society | on loan to Ruggero Allifranchini |
| Cabriac | 1698 | ||
| Baron Knoop | 1698 | one of eleven Stradivari violins associated with Baron Johann Knoop | |
| Joachim | 1698 | Royal Academy of Music | |
| Duc de Camposelice | 1699 | ||
| Lady Tennant; Lafont | 1699 | Charles Phillipe Lafont; Marguerite Agaranthe Tennant | on loan to Yang Liu; sold at Christie\'s auction US$2.032 million, April 2005 Agence France-Presse (23 April 2005). Stradivari violin fetches record auction price. Australian Broadcasting Corporation. Retrieved on 2008-01-26. |
| Longuet | 1699 | ||
| Countess Polignac | 1699 | on loan to Gil Shaham. | |
| Castelbarco | 1699 | ||
| Kustendyke | 1699 | Royal Academy of Music | |
| Crespi | 1699 | Royal Academy of Music | |
| Cristiani | 1700 | ||
| Dragonetti | 1700 | Nippon Music Foundation | |
| Jupiter | 1700 | Giovanni Battista Viotti | |
| Taft; ex-Emil Heermann | 1700 | Canada Council for the Arts | on loan to Jessica Linnebach |
| Dushkin | 1701 | on loan to Dennis Kim, concertmaster, Seoul Philharmonic Orchestra | |
| Markees | 1701 | Music Chamber | on loan to Leung Kin-fung |
| Irish | 1702 | OKO Bank, Finland | on loan to Réka Szilvay |
| Conte de Fontana; ex-Oistrach | 1702 | David Oistrakh (1953-1963); Riccardo Brengola; Pro Canale Foundation | Oistrakh\'s first violin; on loan to Mariana Sirbu |
| Lukens-Edler Voicu | 1702 | Romanian state | on loan to the Ion Voicu foundation; ownership disputed between the state of Romania and the "Ion Voicu" foundation. |
| King Maximilian Joseph | 1702 | Stradivari Society | on loan to Berent Korfker |
| Lyall | 1702 | Stradivari Society | on loan to Stefan Milenkovich |
| La Rouse Boughton | 1703 | Österreichische Nationalbank "Wertvolle alte Streichinstrumente", Oesterreichische Nationalbank. Retrieved on 2007-04-07. | on loan to Boris Kuschnir of the Kopelman Quartet |
| Lord Newlands | 1702 | Nippon Music Foundation | on loan to Toru Yasunaga |
| Allegretti | 1703 | ||
| Alsager | 1703 | ||
| Lady Harmsworth | 1703 | Paul Bartel | on loan to Kristof Barati Kristof Barati. Kristof Barati. Archived from the original on 2007-07-11. Retrieved on 2008-02-05. |
| Emiliani | 1703 | Anne-Sophie Mutter | |
| Betts | 1704 | U.S. Library of Congress | |
| Sleeping Beauty | 1704 | L-Bank Baden-Wurttemberg | On loan to Isabelle Faust. One of the few Stradivari violins to have retained original neck. |
| ex-Marsick; ex-Oistrach | 1705 | David Oistrach | acquired in trade by Oistrach for the 1702 Conte di Fontana |
| ex-Brüstlein | 1707 | Österreichische Nationalbank | |
| La Cathédrale | 1707 | Stradivari Society | on loan to Tamaki Kawakubo |
| Hammer | 1707 | Christian Hammer (collector) | on loan to Kyoko Takezawa; sold at Christie\'s New York on 16 May 2006 for a record US$3,544,000 (€2,765,080) after five minutes of bidding. |
| Burstein Bagshawe | 1708 | Stradivari Society | on loan to Janice Martin |
| Huggins | 1708 | Nippon Music Foundation | on loan to Sergey Khachatryan "Sergey Khachatryan:", Askonas Holt. Retrieved on 2007-04-05. |
| Ruby | 1708 | Stradivari Society | on loan to Leila Josefowicz and Vadim Repin |
| Berlin Hochschule | 1709 | ||
| Hammerle; ex-Adler | 1709 | Österreichische Nationalbank | on loan to Werner Hink |
| Ernst | 1709 | on loan to Zsigmondy Dénes through 2003 | |
| Engleman | 1709 | Nippon Music Foundation | on loan to Lisa Batiashvili |
| Viotti; ex-Bruce | 1709 | Royal Academy of Music | purchased in 2005 for GB£3.5 million |
| Marie Hall | 1709 | Giovanni Battista Viotti; The Chi-Mei Collection | named after violinist, Marie Hall |
| ex-Kempner | 1709 | on loan to Soovin Kim | |
| Camposelice | 1710 | Nippon Music Foundation | on loan to Kyoko Takezawa |
| Lord Dunn-Raven | 1710 | Anne-Sophie Mutter | |
| ex-Roederer | 1710 | on loan to David Grimal. | |
| ex-Vieuxtemps | 1710 | on loan to Samuel Magad, concertmaster, Chicago Symphony Orchestra | |
| Earl of Plymouth; Kreisler | 1711 | Los Angeles Philharmonic Violin by Antonio Stradivari, 1711 (Earl of Plymouth; Kreisler). Cozio.com. Retrieved on 2007-11-22. | In 1925, found in store room on the estate of the Earl of Plymouth (along with "The Messiah" and "Alard" violins). Purchased by Fritz Kreisler in 1928 and subsequently sold by him in 1946 Unplayed Strads. Time Magazine (22 April 1946). Retrieved on 2007-11-22. |
| Liegnitz | 1711 | ||
| Le Brun | 1712 | Niccolò Paganini; Charles LeBrun; Otto Senn | Sold at Sotheby\'s auction November 13, 2001 |
| Karpilowsky | 1712 | Harry Solloway | missing: stolen in 1953 from Solloway\'s residence in Los Angeles |
| Boissier | 1713 | ||
| Gibson; ex-Huberman | 1713 | Bronislaw Huberman; Joshua Bell | stolen twice before Bell\'s acquisition |
| Lady Ley | 1713 | Stradivarius family | now bought by Jue Yao - Chinese violinist |
| Dolphin; Delfino | 1714 | Jascha Heifetz; Nippon Music Foundation | on loan to Akiko Suwanai |
| Soil | 1714 | Itzhak Perlman | |
| ex-Berou; ex-Thibaud | 1714 | ||
| Le Maurien | 1714 | missing: stolen 2002 | |
| Leonora Jackson | 1714 | ||
| Sinsheimer; General Kyd; Perlman | 1714 | Itzhak Perlman David L. Fulton | |
| Smith-Quersin | 1714 | Österreichische Nationalbank | on loan to Rainer Honeck |
| Alard-Baron Knoop | 1715 | ||
| Baron Knoop; ex-Bevan | 1715 | ||
| ex-Bazzini | 1715 | ||
| Cremonese; ex-Harold Joachim | 1715 | Municipality of Cremona | |
| Joachim | 1715 | Nippon Music Foundation | on loan to Sayaka Shoji |
| Lipinski | 1715 | In private hands since 1962 | |
| ex-Marsick | 1715 | on loan to James Ehnes | |
| Titian | 1715 | Jacob Lynam | |
| Cessole | 1716 | ||
| Berthier | 1716 | ||
| Booth | 1716 | Nippon Music Foundation | on loan to Shunsuke Sato; formerly loaned to Arabella Steinbacher; formerly loaned to Julia Fischer |
| Colossus | 1716 | missing: stolen 1998 | |
| Duranti | 1716 | Mariko Senju Mariko Senju Profile. Mariko Senju. Retrieved on 2008-02-05. | |
| Monasterio | 1716 | Cyrus Forough | |
| Provigny | 1716 | ||
| Messiah-Salabue | 1716 | Ashmolean Museum Oxford | on exhibit at the Oxford Ashmolean Museum |
| ex-Windsor-Weinstein; Fite | 1716 | Canada Council for the Arts | on loan to Jean-Sébastien Roy |
| Baron Wittgenstein | 1716 | on loan to Mincio Mincev | |
| Gariel | 1717 | ||
| ex-Wieniawski | 1717 | ||
| Kochanski | 1717 | Pierre Amoyal | reported stolen in 1987; recovered in 1991Amoyal, Pierre (2004). Pour l\'amour d\'un Stradivarius. Paris: Laffont. ISBN 2221094735. |
| Sasserno | 1717 | Nippon Music Foundation | on loan to Viviane Hagner |
| Viotti; ex-Rosé | 1718 | Giovanni Battista Viotti; Österreichische Nationalbank | on loan to Volkhard Steude |
| Firebird; ex-Saint Exupéry | 1718 | Salvatore Accardo | Its name is taken from the colouration of the varnish and its brilliant sound. |
| Marquis de Riviere | 1718 | Daniel Majeske | played by Majeske while concertmaster of the Cleveland Orchestra from 1969-1993. |
| San Lorenzo | 1718 | Georg Talbot | on loan to David Garrett; incorrectly reported as damaged on 27 December 2007.Thomas Wagner. "Violinist: Fall Fractures $1M Fiddle", The Associated Press, 14 February 2008. Retrieved on 2008-02-15. Andy McSmith. "Virtuoso\'s trip destroys priceless Stradivarius", Independent, 13 February 2008. Retrieved on 2008-02-15. |
| Lauterbach | 1719 | Johann Christoph Lauterbach; J. B Vuillaume; Charles Philippe Lafont Cozio.com: violin by Antonio Stradivari, 1719 (Lauterbach). Cozio.com. Retrieved on 2007-11-24. | |
| Madrileño | 1720 | ||
| von Beckerath | 1720 | Michael Antonello | |
| Antonius Stradivarius Cremonensis | 1721 | recovered in southern Germany in 2006 | |
| Lady Blunt | 1721 | Paolo Stradivari | named after Lady Anne Blunt, daughter of Ada Lovelace, granddaughter of Lord Byron. |
| Jean-Marie Leclair | 1721 | Jean-Marie Leclair; | on loan to Guido RimondaGuido Rimonda Biography. Guido Rimonda. Retrieved on 2008-02-06. |
| Red Mendelssohn | 1721 | Mendelssohn Family; Elizabeth Pitcairn | inspiration for the 1998 film, The Red Violin |
| Artot | 1722 | ||
| Jupiter; ex-Goding | 1722 | Nippon Music Foundation | on loan to Daishin Kashimoto; formerly Midori Goto |
| Laub-Petschnikoff | 1722 | ||
| Jules Falk | 1722 | Viktoria Mullova | |
| Elman | 1722 | Chi Mei Museum | |
| Cádiz | 1722 | Joseph Fuchs | on loan to Jennifer Frautschi; named after the city of Cádiz, Spain. |
| Kiesewetter | 1723 | Stradivari Society | on loan to Stefan Jackiw. |
| Earl Spencer | 1723 | loaned to Emmy Verhey | |
| Le Sarastre | 1724 | Real Conservatorio Superior de Música, Madrid | bequeathed to the Conservatory by Pablo de Sarasate; on loan to Chen Xi |
| Brancaccio | 1725 | Destroyed in an allied air raid on Berlin. | Owned by Carl Flesch, until 1928 where it was sold to Franz von Mendelssohn, banker and amateur violinist.Violin by Antonio Stradivari, 1725 (Brancaccio). Cozio. Retrieved on 2008-01-12. |
| Chaconne | 1725 | Österreichische Nationalbank | on loan to Rainer Küchel |
| Leonardo da Vinci | 1725 | Da Vinci family The Instruments and to Whom Did They Belong, and When?. Fritz Reuter & Sons (14 July 2007). Retrieved on 2008-02-10. | |
| Wilhelmj | 1725 | Nippon Music Foundation | on loan to Baiba Skride; one of several Stradivari violins with the sobriquet Wilhelmj |
| Greville; Kreisler; Adams | 1726 | Fritz Kreisler | |
| Barrere | 1727 | Stradivari Society | on loan to Janine Jansen |
| Davidoff-Morini | 1727 | missing: stolen in 1995 "Theft Notices & Recoveries", FBI Art Theft Program. Retrieved on 2007-04-07. | |
| ex-General Dupont | 1727 | on loan to Jennifer Koh | |
| Holroyd | 1727 | ||
| Kreutzer | 1727 | Maxim Vengerov | one of four Stradivari violins with the sobriquet Kreutzer (1701, 1720, 1731) |
| Hart; ex-Francescatti | 1727 | Salvatore Accardo | |
| Paganini-Comte Cozio di Salabue | 1727 | Nippon Music Foundation | this violin along with the Paganini-Desaint violin of 1680, the Paganini-Mendelssohn viola of 1731, and the Paganini-Ladenburg cello of 1736, comprise a group of instruments referred to as The Paganini Quartet; on loan to Martin Beaver of the Tokyo String Quartet |
| Halphen | 1727 | Angelika Prokopp Private Foundation | on loan to Eckhard Seifert |
| Vesuvius | 1727 | Antonio Brosa Remo Lauricella Town of Cremona | |
| A. J. Fletcher; Red Cross Knight | 1728 | A. J. Fletcher Foundation | on loan to Nicholas Kitchen of the Borromeo String Quartet; the instrument was made by Omobono Stradivarius Nicholas Kitchen Biography. Borromeo String Quartet (2007). Retrieved on 2008-02-05. |
| Artot-Alard | 1728 | ||
| Dragonetti; Milanollo | 1728 | Giovanni Battista Viotti | on loan to Corey Cerovsek |
| Perkins | 1728 | Los Angeles Philharmonic | named after Frederick Perkins, formerly owned by Luigi BoccheriniViolin by Antonio Stradivari, 1728 (Perkins). Cozio.com (2006). Retrieved on 2007-11-22. |
| Benny | 1729 | Jack Benny; Los Angeles Philharmonic | bequeathed to the Los Angeles Philharmonic by Jack Benny |
| Solomon, ex-Lambert | 1729 | Murray Lambert; Seymour Solomon | sold at Christie\'s, New York for US$2,728,000 (€2,040,000) |
| Innes | 1729 | on loan to Eugen Sarbu; previously loaned to Wieniawski | |
| Guarneri | 1729 | Canada Council for the Arts | on loan to Yi-Ja Suzanne Hou in 2003 Director of Endowments and Prizes. Musical Instrument Bank. Canada Council for the Arts. Retrieved on 2007-07-15. |
| Lady Jeanne | 1731 | Donald Kahn Foundation | on loan to Benjamin Schmid |
| Heifetz-Piel | 1731 | Rudolph Piel; Jascha Heifetz | |
| Duke of Alcantara | 1732 | An obscure Spanish nobleman described as an aide-de-camp of King Don Carlos; UCLA | Genevieve Vedder donated the instrument to the University of California at Los Angeles\' (UCLA) music department in the 1960s. In 1967, the instrument was on loan to David Margetts who left the Stradivarius on the roof of his car and drove off or claimed it was stolen from his vehicle. For 27 years the violin was considered missing until it was recovered from an amateur violinist. A settlement was made and the Stradivarius was returned to UCLA in 1995.Daniel Pearl. "Stradivarius Violin, Lost Years Ago, Resurfaces but New Owner Plays Coy (1994-10-17)", Wall Street Journal. Retrieved on 2007-10-28. Carla Shapreau. "Lost and Found. And Lost Again? (2006-02-12)", LA Times. Retrieved on 2007-10-28. Violin by Antonio Stradivari, 1732c (Duke of Alcantara). Cozio. Retrieved on 2007-10-28. |
| Herkules | 1732 | Eugène Ysaÿe | missing: stolen in 1908 |
| Tom Taylor | 1732 | previously loaned to Joshua Bell | |
| Des Rosiers | 1733 | Angèle Dubeau | |
| Huberman; Kreisler | 1733 | Bronislaw Huberman; Fritz Kreisler | |
| Khevenhüller | 1733 | Yehudi Menuhin | |
| Rode | 1733 | ||
| Ames | 1734 | missing: stolen in the 1960s | |
| Baron Feilitzsch; Heermann | 1734 | Baron Feilitzsch; Hugo Heerman Gidon Kremer | |
| Habeneck | 1734 | Royal Academy of Music | |
| Herkules; Ysaye; ex-Szeryng; King David | 1734 | Eugène Ysaÿe; Charles Münch; Henryk Szeryng; State of Israel | |
| Lord Amherst of Hackney | 1734 | Fritz Kreisler | |
| Lamoreux | 1735 | missing: stolen | |
| Muntz | 1736 | Nippon Music Foundation | on loan to Arabella Steinbacher |
| Comte d\'Amaille | 1737 | ||
| Lord Norton | 1737 | ||
| Chant du Cygne; Swan Song | 1737 | Ivry Gitlis |
There are thirteen known extant Stradivari violas.Extant Stradivari works. The Smithsonian Magazine (December 2002). Archived from the original on 2006-03-07. Retrieved on 2008-02-05.
| Sobriquet | Year | Provenance | Notes |
|---|---|---|---|
| Tuscan-Medici | 1690 | Cosimo III de\' Medici | Commissioned by Cosimo III de\' Medici, Grand Duke of Tuscany. Currently on loan to the U.S. Library of Congress |
| Archinto | 1696 | Royal Academy of Music | |
| Kux; Castelbarco | 1714 | Royal Academy of Music | Converted from viol to viola by Jean Baptiste VuillaumeDavid Rattray (2004). Viola by Antonio Stradivari, Cremona, 1714, \'Ex Kux\'. Royal Academy of Music. Retrieved on 2008-01-12. |
| The Russian | 1715 | Russian State Collection | |
| Cassavetti | 1727 | U.S. Library of Congress | |
| Paganini-Mendelssohn | 1731 | Nippon Music Foundation | this viola along with the Paganini-Desaint violin of 1680, the Paganini-Comte Cozio di Salabue violin of 1727, and the Paganini-Ladenburg cello of 1731, comprise a group of instruments referred to as The Paganini Quartet; on loan to Kazuhide Isomura of the Tokyo String Quartet |
Antonio Stradivari built between 70 and 80 cellos in his lifetime, of which 63 are extant.
There are two complete extant guitars by Stradivari, and a few fragments of others, including the neck of a third guitar which is owned by the Conservatoire de Musique in Paris."Get ready for videos of the classics", The New York Times. Retrieved on 2007-06-25. These guitars have ten (doubled) strings, which was typical of the era.
Only one of Stradivarius\' harps has survived to the modern age, leading a number of sources claim that it was the only one he made in his life—documentation on the instrument claiming that it was originally one of threeStradivarius made one harp. The arpetta (little harp) in question resides at the San Pietro a Maiella music conservatory in Naples, Italy.
There are two known extant Stradivari mandolins. The Cutler-Challen Choral Mandolino of 1680, is currently in the collection of the National Music Museum at the University of South Dakota in Vermillion, South Dakota.National Music Museum (19 September 2006). The Cutler-Challen Choral Mandolino by Stradivari, 1680. University of South Dakota. Retrieved on 2008-01-30. The other, dated ca. 1706, is owned by private collector Charles Beare of London.Tyler, James; Sparks, Paul (1989). The Early Mandolin. Oxford: Oxford University Press. ISBN 0198163029. Retrieved on 2008-02-15.
Wikimedia Commons has media related to:
This article is licensed under the GNU Free Documentation License. It uses material from Wikipedia